Book of Kells

The Book of Kells
Codex Cenannensis Leabhar Cheanannais
Christ enthroned.
Also known as	Book of Columba
Language	Latin
Date	9th century
Provenance	Columban monasteries in Ireland, Scotland & England
Manuscript(s)	TCD MS 58
Genre	Gospel Book
Length	340 folios, 680 pages
Sources	Vulgate, Vetus Latina

The Book of Kells (Latin: Codex Cenannensis; Irish: Leabhar Cheanannais; Dublin, Trinity College Library, MS A. I. [58], sometimes known as the Book of Columba) is an illuminated manuscript and Celtic Gospel book in Latin,^[1] containing the four Gospels of the New Testament together with various prefatory texts and tables. It was created in a Columban monastery in either Ireland or Scotland,^[2] and may have had contributions from various Columban institutions from each of these areas. It is believed to have been created c. 800 AD. The text of the Gospels is largely drawn from the Vulgate, although it also includes several passages drawn from the earlier versions of the Bible known as the Vetus Latina. It is regarded as a masterwork of Western calligraphy and the pinnacle of Insular illumination. The manuscript takes its name from the Abbey of Kells, County Meath, which was its home for centuries.

The illustrations and ornamentation of the Book of Kells surpass those of other Insular Gospel books in extravagance and complexity. The decoration combines traditional Christian iconography with the ornate swirling motifs typical of Insular art. Figures of humans, animals and mythical beasts, together with Celtic knots and interlacing patterns in vibrant colours, enliven the manuscript's pages. Many of these minor decorative elements are imbued with Christian symbolism and so further emphasise the themes of the major illustrations.

The manuscript today comprises 340 leaves or folios; the recto and verso of each leaf total 680 pages. Since 1953, it has been bound in four volumes, 330 mm by 250 mm (13 inches by 9.8 inches). The leaves are high-quality calf vellum; the unprecedentedly elaborate ornamentation that covers them includes ten full-page illustrations and text pages that are vibrant with decorated initials and interlinear miniatures, marking the furthest extension of the anti-classical and energetic qualities of Insular art. The Insular majuscule script of the text appears to be the work of at least three different scribes. The lettering is in iron gall ink, and the colours used were derived from a wide range of substances, some of which were imported from distant lands.

The manuscript is on display to visitors in Trinity College Library, Dublin and shows two pages at any one time, rotated every 12 weeks. A digitised version of the entire manuscript may also be seen online.^[3]